Our nationally accredited program has a full selection of offerings in studio art, visual arts education and art history.
The Department of Art and Art History teaches students the skills, theory and practice to lead a creative life.
If living a creative life and learning about the visual culture of your world interests you, then the Department of Art and Art History has a full array of courses to pique your interest and help prepare you for a career in the arts.
Our majors experience a rigorous foundation in two- and three-dimensional studies, art history and advanced courses using materials and tools rooted in antiquity through the technologies of the 21st century.
In addition to our curricular offerings, we also have an extensive exhibition program in the De Pree Gallery. The program regularly crosses cultural and historical boundaries by hosting a range of exhibitions, from internationally recognized artists to showcasing our current student work. They continually expand the dialogue about the creative process through conversations with visiting artists, lectures, workshops and critiques that are located at points where art and culture intersect.
Hope College is an accredited institutional member of the National Association of Schools of Art and Design (NASAD). Because of our superior curriculum, facilities and faculty, Hope is the only private liberal arts college in Michigan with this distinction. Our program has been accredited since 1974.
We also engage members of the art community in Holland and beyond through local exhibitions and programming, and the Borgeson Artist in Residence Program.
We invite you to learn more about the opportunities we have to offer, and weɫəll be happy to assist you on your path to the richness that a life in the visual arts can provide.
Program Highlights
Stephanie Somjak ɫə24 and Natasha Marsh ɫə24
"Over the summer, I had the opportunity to assist Dan Callis through the Borgeson Artist in Residence program. It is impossible that this short paragraph will do justice to the impact it had on my life and art practice. Being able to work with such an incredible artist and person, I grew in confidence, understanding, and comfortability in art and language. Dan taught me how to problem solve in my own art practice, the beauty in collaboration, and how to trust the artistic process enough to not be afraid to just start. I am so grateful for the opportunity to assist Dan Callis; it was a blessing I never knew was possible until then.
Stephanie Somjak ɫə24
"My experience working with Nick Fagan was one of the most unique opportunities Iɫəve had as a student. Not only did I assist with pieces for the show, but I was also a part of the gallery side of prepping the space for an audience. I also developed my sewing skills and found that I enjoy working with textiles, which is now something Iɫəve been able to incorporate into my own practice. Overall, the experience of working as a studio assistant has given me a more holistic perspective on my experience as an art major at Hope College."
Natasha Marsh ɫə24
Abigail Nasari ɫə22 and Parker Johnson ɫə22
ɫɜThe New York Arts Program has definitely served as a time for growth and connection for me. This program became a safe place where I could explore and have a taste of what working as a full-time artist might look like. I was surrounded by resources for viewing and learning about art from different disciplines and was able to work with an artist personally selected for my own creative goals. My experience in New York showed me the various opportunities there are for an art career and has given me the resources and connections to step into my creative practice with more confidence.ɫɝ
Abigail Nasari ɫə22
ɫɜDuring my semester in New York City, I was given the opportunity to work with an amazing artist and work as a graphic design intern at a nonprofit. Being in the city allowed me to explore illustration and develop graphic design skills. New York offered endless opportunities such as visiting art museums, making new connections and enjoying incredible food. As I move forward in my art and design career, the lessons and confidence I gained in New York will definitely be something I hold on to even after college.ɫɝ
Parker Johnson ɫə22
Ambrei Koory ɫə22
ɫɜRecording Movementɫɝ
"Given the nature of our research and both of our interests in the intersection of faith and artmaking, we desired to explore the questions, ɫɜWhen is art sacred?ɫɝ and ɫɜWhat makes it so?ɫɝ I entered into this summer with the expectation that these were unanswerable questions or at least unanswerable within our timeframe. However, throughout Professor Lookerseɫəs and my exploration of faith and art through the processes of mark making, movement, performance and discussion, I have come away with the possibility of using the method of art making as worship.ɫɝ
Holle Wade ɫə20
A Treasure from Heaven: The Reliquary from the Kruizenga Art Museum
ɫɜThrough this project, I've gained an understanding of what graduate level research would be like and how exciting original research can be. I learned a lot about the function and purpose of reliquaries and about the need for more research into these objects since the Catholic renewal.ɫɝ
Mariam Tiews ɫə25
“My experience conducting summer research with Dr. Heath was one of continual surprises. We dove into the world of 11th-century Germany, investigating and relating medieval culture through an object-oriented history. The portable altar of Lat Trinité no longer exists, yet it maintains a legacy that offers a gleaming spotlight on religion and society. Due to the nature of our project, I especially enjoyed piecing together clues, facts and ideas that no one else has done before. We found missing documents, corrected information and refined the understanding of iconography and object usage. This summer of research helped guide my college and career trajectories — broadening possibilities and cultivating fascination with the history of visual culture.”
Sarah O'Neil ɫə24 and Joanna Locke ɫə24
"My week at Ox-Bow was the highlight of my whole summer! I took a Wet Plate Photography course which was entirely new to me. It was a challenging and rewarding process that is incredibly rare to come across. In addition to a new medium, I learned about collaboration in photography, and was able to build off of my photography processes experience from Hope Art classes. I made amazing friends and valuable connections that I still keep to this day. My time at Ox-Bow significantly shaped the way that I view myself as an artist. My favorite part was discovering my love for portraits (and the Ox-Bow food!)."
Sarah O'Neil ɫə24
"Getting to participate in a ceramics intensive at Ox-Bow was such a valuable experience. My professors, Casey and Salvador, created the perfect environment for learning and collaborating. The fellows, residents, teachers, students and staff each brought such a unique point of view to the campus. Being among the community of amazing artists gave me an opportunity to see what future art paths I may follow. I am really excited to bring my new skills back to Hope and to see where they take me!"
Joanna Locke ɫə24
Office Hours
ѴDzԻ岹ɫɓF岹:
8:30 a.m.ɫɓ4:30 p.m.
workP. 616.395.7500
art@hope.eduHope by the Numbers
- 98%Satisfaction
98% of previous majors and minors in the Department of Art and Art History ranked their experience as ɫɜgoodɫɝ or better.
Learn about our degree programs - 91%Employed
91% of art majors who graduated in 2015 are currently employed.
See what our alums are up to - 12:1Student-Faculty Ratio
With a low student-faculty ratio, you can be sure of positive interaction with our world-class faculty.
Meet our faculty - 100%Visual Arts Education
In 2015, every single one of our visual arts education majors was placed directly into the field after they graduated.
Pursue an visual arts education major